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This book explores the concept of reception, which defines the relationship between documentary film and its audience, drawing on cognitive theories and contemporary terminology. It also presents a curated selection of documentary films and their makers, which the author examines through explanation, analysis, and critique.
An Algerian film critic, Abdelkarim El-Kadri has authored numerous studies and articles on cinema and literature. His critical publications include Cinema of Poetry: The Dialectics of Language and Semiology in Cinema (2016), Cinema of Visions: Readings and Studies in Arab Cinema (2017), Poetic Cinema: Questions of Structure and Meaning (published by the Saudi Film Festival, 2022), and The Aesthetics of Reception in Documentary Cinema (2024).
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