This book offers an overview of how our cognitive system processes the differences between mediated visual experiences (such as cinema and television) and real-world perception—shedding light on how perception operates in both contexts. It highlights major theories in the psychology of film, tracing their development since the early 20th century. Among the featured theories are Hugo Münsterberg’s pioneering work, Rudolf Arnheim’s Gestalt-based approach, and Richard Gregory’s theory of visual perception. The book surveys key psychological research and theoretical contributions that have shaped our understanding of film as a perceptual and cognitive experience.





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