This book offers a detailed and precise exploration of adaptation from literary works to film. It examines how richly layered novels are summoned into cinematic interpretation, revealing the deep intersection between cinema and the written word—that is, the linguistic narrative that forms a novel or screenplay, regardless of its shape or origin. In an age dominated by cinematic and televisual storytelling, driven by spectacle and visual allure, the book underscores the importance of coexistence and dialogue between literature and film.
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