This volume brings together 18 academic studies, all dedicated to exploring “poetic cinema.” The content is organized into four chapters: Is Poetic Cinema a Critical Category?, Poetic Processes in Cinema, Poetic Reality Face to Face, and Poets on Screen. Each study offers a distinct perspective, style, and area of focus, yet all converge on the elusive concept of “poetics”—a notion many consider rooted in intuition and resistant to rigid, all-encompassing definitions.





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