This book seeks to provide a comprehensive answer to the professional standards, stages, and practical steps involved in the craft of documentary filmmaking. It presents the author’s accumulated experience in directing, production, and training, while drawing upon the strengths of different schools of documentary practice — the structure and rigor of the British school, the spontaneity and experimentation of the French, the freedom and visual dynamism of the American, and the revolutionary spirit and montage aesthetics of the Russian school.
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