This book introduces the concept of “pen-cinema,” proposing that the director is an artist who uses the camera to express ideas just as a writer uses words. Cinema thus becomes a medium of writing, with the camera serving as a pen. The author discusses film theory broadly, then offers in-depth readings of selected Saudi films that have sparked critical and cinematic interest. Among them is Wadjda, the first Saudi feature film directed by a woman (Haifaa Al-Mansour) and the first Saudi submission to the Oscars in 2013, along with other notable works.
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